This exquisite painting, created by renowned artist Cai Zhixin, is a fine example of Gongbi figure painting. The artwork depicts two elegant ladies dressed in luxurious garments, conversing and enjoying fruit amidst a lush garden. Their graceful postures and focused expressions suggest they are fully immersed in their own world. The artist employs ink washes for the overall composition, but highlights the ladies’ attire and accessories with vibrant reds and yellows, adding a lively and youthful atmosphere to the scene. The yellow tones contrast beautifully with the green background, creating a harmonious yet dynamic balance of warm and cool colors. Cai Zhixin also skillfully uses light and shadow to enhance the three-dimensionality and depth of the figures, bringing them to life. The ladies are positioned at the center of the composition, with the carefully arranged layout drawing attention to their importance. The flowers and trees in the background serve as a backdrop, providing a striking contrast to the central figures. This painting vividly captures the leisurely daily life of ancient noblewomen, enjoying fruit and flowers, and reflects the artist’s deep understanding of the lifestyle of aristocratic families in ancient times, as well as his aspiration for a beautiful and tranquil life.

Cai Zhixin, born in 1936, is a distinguished artist with over 60 years of experience. A member of the Art Committee of the Central Academy of Painting and Calligraphy of China and the China Artists Association, he holds the title of National First-Class Artist and serves as a librarian at the Jiangsu Provincial Institute of Culture and History.

In the 1950s, Cai’s work was widely published, and by the 1960s and 1970s, his art was exhibited internationally, with many pieces collected by foreign institutions. He has participated in nearly 100 exhibitions, earning numerous awards, and his works are held in prestigious museums like the National Art Museum of China.

Cai was awarded the "Lu Xun Award" in 1996 for his contributions to Chinese printmaking. His influence led to his special invitation to the 2008 Olympic Fine Arts Conference, with his works featured without review.